This comparative study examines how Jewish identity was perceived before and during World War II in various European countries-such as France, Poland, and Germany-as depicted in Pierre Assouline's novels *La Cliente* and *Lutetia*, as well as in Roman Polanski's film *The Pianist* and Louis Malle's film *Au Revoir les Enfants*. The struggle to survive in the face of the Nazis' and their collaborators' anti-Semitic practices, as well as the discrimination endured by Jews, are addressed.
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