The Social Object

The Social Object uses the methods of design history, material culture studies and the social construction of technology to analyse the domestic spaces and objects in the homes of the middle class in India. The book describes how people make meaning of the objects they buy, own and gift. Soumitri Varadarajan argues against a simplistic universal account of the way we think about how objects are designed. Instead, he presents a biography of projects and objects, offering a detailed and affectionate account of the lives of objects within the homes of the not-so-rich. The Social Object uses the methods of design history, material culture studies and the social construction of technology to analyse the domestic spaces and objects in the homes of the middle class in India. The book describes how people make meaning of the objects they buy, own and gift. This is a book about the biography of projects and objects. The projects in the book serve as book ends to a detailed and affectionate account of the biographies of objects within the homes of the not so rich. The aim of the author has been to silence the voice of the designer to allow the accounts of objects to emerge as periodic irruptions that reveal a hidden maelstrom of passion, ideas and failed projects. The book opens with the biography of a project dealing with waste, leading the reader to a very particular kind of object, the bads. This object is illicit, handled by criminals and in the writing by the author serves to invert the dominant discourse of objects as commodities. This book makes the case that the program of design is better seen as a democratic community, where the householders, the zeitgeist, technology and all manner of hidden agents collide to allow unforseen periodic objects to emerge. Varadarajan argues against a simplistic universal account off the way we think about how objects are designed. As an enterprise, the book was a journey to assemble the evidence - of places and objects - and observe the enactment of practices with the objects. It was also a project of speculation upon the possible ways in which objects come to be, as local collaborations of action.