The Silversmith
Uitgelicht
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24,99 |
Naar shop
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56,00 |
Naar shop
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56,00 |
Naar shop
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Beschrijving
Bol
A mirror never lies. But it can kill.When the Myth-Chasers-an online ghost-hunting crew built on showmanship, vanity, and viral stunts-book their biggest location yet, the decaying Grand Hotel Gideon, they expect views, not bodies. Instead, they awaken something ancient behind the glass.Gideon Slade, once a brilliant Gilded Age silversmith, died in mercury fire and madness more than a century ago. But his final creation-his clockwork Silver-Spinner, forged in pain and obsession-did not die with him. It became the key that bound him to reflections, allowing him to stalk, reach, and kill through any polished surface that dares to hold a face.When the team films a mocking "debunk" in front of the hotel's massive Slade mirror, a single flash of the camera tethers them to the legend. One by one, they begin to hear it: the high-pitched, metallic whir just beyond the glass.Bodies follow.Each "correction" is precise. Violent. Intimate. And always left behind for the survivors to find.As paranoia erupts, the group fractures under the weight of a secret they buried twenty years ago-the night they watched Gideon Slade take a child and lied to police to save themselves. Their past and present collide as Slade hunts not for attention, but for flaws-the vanity, cowardice, and guilt that fuel his supernatural form.With every reflective surface becoming a doorway, with every hallway echoing the rising whir of the Spinner, the survivors must face a truth far more terrifying than a haunting:Slade is not a ghost. He is a ritual. A hunger. A mirror that waits for the vain to look back.THE SILVERSMITH is Gerald Locke's chilling descent into Hard-R supernatural horror-an atmospheric, character-first nightmare blending the dread of The Shining, the inevitability of It Follows, and the merciless brutality of classic Gilded Age urban legends. Perfect for readers who crave tightly-wound tension, reflective-based horror, and monsters born not of magic, but of human flaw.Fans of: Stephen King ¿ Paul Tremblay ¿ Grady Hendrix ¿ Scott Smith ¿ Adam Nevill ¿ The Haunting of Hill House (Flanagan)
A mirror never lies. But it can kill.When the Myth-Chasers-an online ghost-hunting crew built on showmanship, vanity, and viral stunts-book their biggest location yet, the decaying Grand Hotel Gideon, they expect views, not bodies. Instead, they awaken something ancient behind the glass.Gideon Slade, once a brilliant Gilded Age silversmith, died in mercury fire and madness more than a century ago. But his final creation-his clockwork Silver-Spinner, forged in pain and obsession-did not die with him. It became the key that bound him to reflections, allowing him to stalk, reach, and kill through any polished surface that dares to hold a face.When the team films a mocking "debunk" in front of the hotel's massive Slade mirror, a single flash of the camera tethers them to the legend. One by one, they begin to hear it: the high-pitched, metallic whir just beyond the glass.Bodies follow.Each "correction" is precise. Violent. Intimate. And always left behind for the survivors to find.As paranoia erupts, the group fractures under the weight of a secret they buried twenty years ago-the night they watched Gideon Slade take a child and lied to police to save themselves. Their past and present collide as Slade hunts not for attention, but for flaws-the vanity, cowardice, and guilt that fuel his supernatural form.With every reflective surface becoming a doorway, with every hallway echoing the rising whir of the Spinner, the survivors must face a truth far more terrifying than a haunting:Slade is not a ghost. He is a ritual. A hunger. A mirror that waits for the vain to look back.THE SILVERSMITH is Gerald Locke's chilling descent into Hard-R supernatural horror-an atmospheric, character-first nightmare blending the dread of The Shining, the inevitability of It Follows, and the merciless brutality of classic Gilded Age urban legends. Perfect for readers who crave tightly-wound tension, reflective-based horror, and monsters born not of magic, but of human flaw.Fans of: Stephen King ¿ Paul Tremblay ¿ Grady Hendrix ¿ Scott Smith ¿ Adam Nevill ¿ The Haunting of Hill House (Flanagan)
AmazonPages: 647, Paperback, Bookllo Publishing
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