the Logic of Living Present / druk 1

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Bol Some might ask "Why Locke's theory of knowledge now?" Though appreciated for his social philosophy, Locke has been criticized for his work in the field of epistemology ever since the publication of the Essay. The four monographs presented in this collection offer a documentation of the seriousness, depth and originality with which phenomenology has been received and grafted upon the living tree of philosophical reflection in the Orient. Yasuhico Tomida, of the University of Tokyo, raising anew Husserl's criticism of Locke, offers a personal and innovative interpretation of Locke's theory of knowledge. In the original investigation into the origin of logic, the well-known Vietnamese phenomenologist, Tran Duc Thao, explores Husserl's theory of the "living present", while the Korean scholar Hwa Yol Jung seeks to isolate "the basic grammar" of "intercultural texts". This foundational investigation is carried further by Tze-wan Kwan, of the Chinese University of Hong Kong, culminating in an original approach to categories as an existential root of culture.

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Some might ask "Why Locke's theory of knowledge now?" Though appreciated for his social philosophy, Locke has been criticized for his work in the field of epistemology ever since the publication of the Essay. The four monographs presented in this collection offer a documentation of the seriousness, depth and originality with which phenomenology has been received and grafted upon the living tree of philosophical reflection in the Orient. Yasuhico Tomida, of the University of Tokyo, raising anew Husserl's criticism of Locke, offers a personal and innovative interpretation of Locke's theory of knowledge. In the original investigation into the origin of logic, the well-known Vietnamese phenomenologist, Tran Duc Thao, explores Husserl's theory of the "living present", while the Korean scholar Hwa Yol Jung seeks to isolate "the basic grammar" of "intercultural texts". This foundational investigation is carried further by Tze-wan Kwan, of the Chinese University of Hong Kong, culminating in an original approach to categories as an existential root of culture.


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