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Studying Popular Music contends that popular music can be properly understood only through interdisciplinary study methods. He demonstrates this through a critical analysis of issues from the political economy of popular music, its history and ethnography, to its aesthetics and ideology. A critical analysis of issues and approaches in a variety of areas, ranging from the political economy of popular music through its history and ethnography to its semiology, aesthetics and ideology. The book focuses on Anglo-American popular music of the last 200 years.
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