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Readings on the performance of Western music from the late middle ages to the early nineteeth century describe the accepted conventions and actual practices of former times. " . . . extremely useful . . . In MacClintock's selections, even when the source is primarily theoretical, she chooses passages that give a lively insight into actual music-making." —Continuo Readings on the performance of Western music from the late middle ages to the early nineteenth century describe the accepted conventions and actual practices of former times.
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