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Reading Dancing
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Outlines four models for representation in dance which are illustrated through an analysis of the works of contemporary choreographers and through historical examples beginning with court ballets of the Renaissance. "An eloquent and articulate book."—Meredith Monk "Reading Dancing is a generous and articulate gift to the world of dance/performance appreciation."—Deborah Hay, Artistic Director of the Deborah Hay Dance Company "A valuable primer for dancers and choreographers."—Yvonne Rainer Choreographer/Filmmaker Borrowing from contemporary semiotics and post-structuralist criticism, Foster outlines four models for representation in dance which are illustrated through an analysis of the works of contemporary choreographers and through historical examples beginning with court ballets of the Renaissance.
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Outlines four models for representation in dance which are illustrated through an analysis of the works of contemporary choreographers and through historical examples beginning with court ballets of the Renaissance. "An eloquent and articulate book."—Meredith Monk "Reading Dancing is a generous and articulate gift to the world of dance/performance appreciation."—Deborah Hay, Artistic Director of the Deborah Hay Dance Company "A valuable primer for dancers and choreographers."—Yvonne Rainer Choreographer/Filmmaker Borrowing from contemporary semiotics and post-structuralist criticism, Foster outlines four models for representation in dance which are illustrated through an analysis of the works of contemporary choreographers and through historical examples beginning with court ballets of the Renaissance.
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