Public Photographic Spaces
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Bol Partner
This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
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Beschrijving
Bol Partner
This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
Bol Partner
This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
FnacJorge Ribalta (Auteur) - Verschenen op 01/02/2009 bij M.art Contemporain Barcelona