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Place Of Artists' Cinema Space, Site And Screen
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Beschrijving
Bol Partner
Contemporary art practice has been marked by a renewed emphasis on both the moving image and the politics of place. This book identifies a recurrent concern with site and space in artists' film and video, extending from the avant-garde revivals of the 1960s. It provides an analysis of changing exhibition structures and readings of many works. In The Place of Artists’ Cinema, Maeve Connolly identifies a recurrent concern with site, space and cinema architecture in film and video works by artists, extending from the late 1960s to the present day. Focusing on developments over the past decade, Connolly provides in-depth readings of selected recent works by twenty-four different artists, ranging from multi-screen projections to site-specific installations and feature-length films. She also explores changing structures of exhibition and curation, tracing the circulation of film and video works within public art contexts, galleries, museums, biennial exhibitions and art fairs. Providing a chapter on the role of public funding in the market for artists’ film and video, The Place of Artists’ Cinema will appeal to both curators and artists.
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Contemporary art practice has been marked by a renewed emphasis on both the moving image and the politics of place. This book identifies a recurrent concern with site and space in artists' film and video, extending from the avant-garde revivals of the 1960s. It provides an analysis of changing exhibition structures and readings of many works. In The Place of Artists’ Cinema, Maeve Connolly identifies a recurrent concern with site, space and cinema architecture in film and video works by artists, extending from the late 1960s to the present day. Focusing on developments over the past decade, Connolly provides in-depth readings of selected recent works by twenty-four different artists, ranging from multi-screen projections to site-specific installations and feature-length films. She also explores changing structures of exhibition and curation, tracing the circulation of film and video works within public art contexts, galleries, museums, biennial exhibitions and art fairs. Providing a chapter on the role of public funding in the market for artists’ film and video, The Place of Artists’ Cinema will appeal to both curators and artists.
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