Philosophy, Science and Cinema

Now that cinema is offline and online, the capacity of cinema to relate to philosophy and science has increased. First, between philosophy and cinema, where the philosophical perspective bifurcates in several directions, depending on the philosophical branch used. Now that cinema is offline and online, the capacity of cinema to relate to philosophy and science has increased. In this regard, this book seeks to deepen the relationships between philosophy, science, and cinema in terms of bilaterality. This analysis leads to several successive levels of analysis. First, between philosophy and cinema, where the philosophical perspective bifurcates in several directions, depending on the philosophical branch used. This affects in both directions: from the philosophical orientation to the cinematographic activity and, from cinema, towards the philosophical line used. Second, the relations between science and cinema also go in both directions. Thus, they are modulated by the type of scientific research used and by the film genre employed. Thus, bilaterality is altogether a network of bidirectional relations modulated by various possibilities of analysis. Wenceslao J. Gonzalez is Professor of Logic and Philosophy of Science at the University of A Coruña, Spain. He is a Full Member of the International Academy for the Philosophy of Science (AIPS) and Fellow of the Center for Philosophy of Science at the University of Pittsburgh, USA.