Our Stage And Its Critics

This insightful essay collection probes the vitality of British theatre, weighing critics roles against commercial pressures stifling originality while championing a national stage alive with modern aspirations. Its preface voices cautious optimism amid concerns over stagnant traditions and mass tastes dictating playhouses, urging bolder artistic expression beyond gossip-driven reviews. Themes of renewal versus stagnation dominate, contrasting jaded criticism with fresh talent cultivation, and probing publics true appetite against managerial gambles favouring safe formulas. Spence dissects drama morality, acting nuances, and critics duty for tolerant insight over superficial tittle-tattle, advocating progress toward serious comedy reflecting current life. His analysis envisions radical shifts yielding fine English drama proud of its cultural voice, balancing analytical depth with calls for courageous patronage.