Joan Mitchell: Schilderijen, 1979-1985
Uitgelicht
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50,40 |
Naar shop
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50,42 |
Naar shop
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50,42 |
Naar shop
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Beschrijving
Discover Joan Mitchell’s powerful and dynamic work, spotlighted in this publication focused on the years 1979 to 1985. As Mitchell settled into daily life at her Vétheuil studio in France, surrounded by gardens and new creative connections, her practice grew more ambitious and expansive. The book surveys an increasingly bold palette and a nuanced mastery of composition, scale, and color, featuring large-scale abstract works alongside numerous smaller paintings and archival materials. Included are several texts that complement the illustrated works: a new essay by Julie Otsuka, a 1986 conversation between Mitchell and Yves Michaud, and reflections by Amy Sillman, Shinique Smith, and Lily Stockman on different facets of Mitchell’s oeuvre and ongoing influence.
The publication provides a comprehensive view of this generative period, with archival material that enriches understanding of Mitchell’s process and relationships. It presents a cohesive narrative of her studio practice during these years, offering readers insight into how life at Vétheuil intersected with artistic development and the evolution of her distinctive approach to color, form, and space.
Kenmerken
- Focuses on 1979–1985, a generative period
- Vétheuil studio life and new collaborations
- Large-scale and smaller works are shown
- Includes archival materials
- New Julie Otsuka essay
- 1986 Mitchell–Michaud interview
- Reflections by Sillman, Smith, Stockman
Joan Mitchell (Auteur) - Verschenen op 05/08/2024 bij David Zwirner
Pages: 104, Edition: 1 armband, Hardcover
Discover Joan Mitchell’s powerful and dynamic work, spotlighted in this publication focused on the years 1979 to 1985. As Mitchell settled into daily life at her Vétheuil studio in France, surrounded by gardens and new creative connections, her practice grew more ambitious and expansive. The book surveys an increasingly bold palette and a nuanced mastery of composition, scale, and color, featuring large-scale abstract works alongside numerous smaller paintings and archival materials. Included are several texts that complement the illustrated works: a new essay by Julie Otsuka, a 1986 conversation between Mitchell and Yves Michaud, and reflections by Amy Sillman, Shinique Smith, and Lily Stockman on different facets of Mitchell’s oeuvre and ongoing influence.
The publication provides a comprehensive view of this generative period, with archival material that enriches understanding of Mitchell’s process and relationships. It presents a cohesive narrative of her studio practice during these years, offering readers insight into how life at Vétheuil intersected with artistic development and the evolution of her distinctive approach to color, form, and space.
Kenmerken
- Focuses on 1979–1985, a generative period
- Vétheuil studio life and new collaborations
- Large-scale and smaller works are shown
- Includes archival materials
- New Julie Otsuka essay
- 1986 Mitchell–Michaud interview
- Reflections by Sillman, Smith, Stockman
Joan Mitchell (Auteur) - Verschenen op 05/08/2024 bij David Zwirner
Pages: 104, Edition: 1 armband, Hardcover
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