Early Christian and Byzantine Art
Beschrijving
Bol
The appreciation of early Christian and Byzantine Art as a sublime expression of religious thought and feeling is a comparatively modern phenomenon. Byzantine art is both static and dynamic: static in the sense that once an image was established it was felt that no improvement was necessary; dynamic in the sense that there was never one style and these styles or modes were constantly changing. The story is not only complex in its unravelling but ranges widely over various media: mosaic, wall painting and painted panels, sculpture in marble and ivory, manuscript illumination, gold, silver, and precious stones, jewellery, silk and rich vestments. This is an account by a medieval art-historian.
The appreciation of early Christian and Byzantine Art as a sublime expression of religious thought and feeling is a comparatively modern phenomenon. Byzantine art is both static and dynamic: static in the sense that once an image was established it was felt that no improvement was necessary; dynamic in the sense that there was never one style and these styles or modes were constantly changing. The story is not only complex in its unravelling but ranges widely over various media: mosaic, wall painting and painted panels, sculpture in marble and ivory, manuscript illumination, gold, silver, and precious stones, jewellery, silk and rich vestments. This is an account by a medieval art-historian.
Bol PartnerEarly Christian and Byzantine is one of a series of books which attempts to describe the social, political, religious and intellectual climate of a period as well as the genesis and attainments of its art and architecture.;The greatness of Byzantine art - including architecture, sculpture, panel paintings, book illuminations, as well as icons, mosaics and cloisonne work is now being assessed at its true worth and is known to have made a powerful impression on the West. This study shows how the two halves of the Roman Empire, the Christians in Rome and the Orthodox Christians in the East, adapted the art of classical antiquity to new conditions.
FnacLOWDEN J (Auteur) - Verschenen op 29/10/1999 bij Phaidon Press
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