Cinema Divinite

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Bol This is a source book for all areas of study from undergraduate to postgraduate. General theory and critiques are discussed, with additional information set out for readers who require it; and specifics of films set out in user-friendly case studies. Each new discussion has an introduction to the subject from the author. Cinema Divinite sets out various critical approaches to the study of film and theology such as formalism, expressionism, realism, textual analysis, contextual analysis, post-modern eclecticism, narrative criticism and cultural studies. It examines the major concepts in film studies such as cinema spectatorship, the nature and application of film theory to theology, and includes a discussion of the extensive literature which has been published recently on the film and religion. The book also examines case studies of specific films, filmmakers, and genres - from film noir to animation and the western. The final part looks specifically at religion within film with a concluding discussion of the recently released The Passion of the Christ.

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Beschrijving (1)

This is a source book for all areas of study from undergraduate to postgraduate. General theory and critiques are discussed, with additional information set out for readers who require it; and specifics of films set out in user-friendly case studies. Each new discussion has an introduction to the subject from the author. Cinema Divinite sets out various critical approaches to the study of film and theology such as formalism, expressionism, realism, textual analysis, contextual analysis, post-modern eclecticism, narrative criticism and cultural studies. It examines the major concepts in film studies such as cinema spectatorship, the nature and application of film theory to theology, and includes a discussion of the extensive literature which has been published recently on the film and religion. The book also examines case studies of specific films, filmmakers, and genres - from film noir to animation and the western. The final part looks specifically at religion within film with a concluding discussion of the recently released The Passion of the Christ.


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