A Wanderer in Venice

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Bol Wanderer in Venice" by E. V. Lucas is a travel narrative written in the early 20th century. This work serves as a personal reflection and a guide to the city of Venice, expressing the author's admiration for its beauty, history, and unique atmosphere. The narrative blends history and personal experience with a descriptive exploration of notable landmarks, such as St. Mark's Basilica, the Grand Canal, and the Doges' Palace. The opening of "A Wanderer in Venice" introduces the allure of Venice, particularly through the first-time visitor's approach to the city. Lucas discusses travel routes, emphasizing the enchanting experience of entering Venice by water, specifically from Chioggia, as a method that enhances the anticipation of seeing the city's stunning architecture. He captures the overwhelming beauty and magical feel of Venice, setting the tone for a journey that focuses not just on the physical visit but also on the emotional and aesthetic responses provoked by this "bride of the Adriatic." The text promises a leisurely examination of Venetian landmarks, infused with history and personal insight, inviting readers to savor the experience alongside him.T he best approach toVenice-Chioggia-Afirst view-Anotherwater approach- Padua and Fusina-The railway station-A complete transformation-A Venetian guide-book-A city of a dream. I have no doubt whatever that, if the diversion can be arranged, the perfect way for the railway traveller to approach Venice for the first time is from Chioggia, in the afternoon. Chioggia is at the end of a line from Rovigo, and it ought not to be difficult to get there either overnight or in the morning. If overnight, one would spend some very delightful hours in drifting about Chioggia itself, which is a kind of foretaste of Venice, although not like enough to her to impair the surprise. (But nothing can do that. Not all the books or photographs in the world, not Turner, nor Whistler, nor Clara Montalba, can so familiarize the stranger with the idea of Venice that the reality of Venice fails to be sudden and arresting. Venice is so peculiarly herself, so exotic and unbelievable, that so far from ever being ready for her, even her residents, returning, can never be fully prepared.)

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Beschrijving (1)

Wanderer in Venice" by E. V. Lucas is a travel narrative written in the early 20th century. This work serves as a personal reflection and a guide to the city of Venice, expressing the author's admiration for its beauty, history, and unique atmosphere. The narrative blends history and personal experience with a descriptive exploration of notable landmarks, such as St. Mark's Basilica, the Grand Canal, and the Doges' Palace. The opening of "A Wanderer in Venice" introduces the allure of Venice, particularly through the first-time visitor's approach to the city. Lucas discusses travel routes, emphasizing the enchanting experience of entering Venice by water, specifically from Chioggia, as a method that enhances the anticipation of seeing the city's stunning architecture. He captures the overwhelming beauty and magical feel of Venice, setting the tone for a journey that focuses not just on the physical visit but also on the emotional and aesthetic responses provoked by this "bride of the Adriatic." The text promises a leisurely examination of Venetian landmarks, infused with history and personal insight, inviting readers to savor the experience alongside him.T he best approach toVenice-Chioggia-Afirst view-Anotherwater approach- Padua and Fusina-The railway station-A complete transformation-A Venetian guide-book-A city of a dream. I have no doubt whatever that, if the diversion can be arranged, the perfect way for the railway traveller to approach Venice for the first time is from Chioggia, in the afternoon. Chioggia is at the end of a line from Rovigo, and it ought not to be difficult to get there either overnight or in the morning. If overnight, one would spend some very delightful hours in drifting about Chioggia itself, which is a kind of foretaste of Venice, although not like enough to her to impair the surprise. (But nothing can do that. Not all the books or photographs in the world, not Turner, nor Whistler, nor Clara Montalba, can so familiarize the stranger with the idea of Venice that the reality of Venice fails to be sudden and arresting. Venice is so peculiarly herself, so exotic and unbelievable, that so far from ever being ready for her, even her residents, returning, can never be fully prepared.)


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