A Critical Guide to Twentieth century Women Novelists

Name: A Critical Guide to Twentieth century Women Novelists
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Bol Analyzing the narrative practices and stylistic devices of fiction from the English-speaking world, this text includes: the influence of early psychological writings on fiction; fiction from the rich post-war period; post-structuralist theory; postmodernism and magic realism; and feminist theory. Kathleen Wheeler's critical guide analyzes in 135 essays the narrative practices and stylistic devices of fiction from all over the English-speaking world. Eleven further chapters focus on the influence of early psychological writings on fiction, the rise of international English literature, fiction from the rich post-war period (when the novel was supposed to be dead), post-structuralist theory, postmodernism and magic realism, and feminist theory. The guide also discusses dozens of further writers from across the world in a geographically arranged chapter, while a final chapter guides readers through the vast range of available research resources. The bibliography covers thoroughly the secondary criticism available, in separate listings for each of the 135 entries, and in a list of both general criticism and anthologies. Kathleen Wheeler's critical guide is a major work of reference analysing the narrative practices and stylistic devices of women novelists all over the English-speaking world.

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Analyzing the narrative practices and stylistic devices of fiction from the English-speaking world, this text includes: the influence of early psychological writings on fiction; fiction from the rich post-war period; post-structuralist theory; postmodernism and magic realism; and feminist theory. Kathleen Wheeler's critical guide analyzes in 135 essays the narrative practices and stylistic devices of fiction from all over the English-speaking world. Eleven further chapters focus on the influence of early psychological writings on fiction, the rise of international English literature, fiction from the rich post-war period (when the novel was supposed to be dead), post-structuralist theory, postmodernism and magic realism, and feminist theory. The guide also discusses dozens of further writers from across the world in a geographically arranged chapter, while a final chapter guides readers through the vast range of available research resources. The bibliography covers thoroughly the secondary criticism available, in separate listings for each of the 135 entries, and in a list of both general criticism and anthologies. Kathleen Wheeler's critical guide is a major work of reference analysing the narrative practices and stylistic devices of women novelists all over the English-speaking world.

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